Production Designer: Bill Groom
Supervising Art Director: Neil Prince
Role: Art Director [Season 5]
Production Designer: Greg Berry
Role: Art Director [New York Unit]
Shot in New York and New Jersey, this Hulu series captures the wild, tragic, and controversial life and career behind one of the most polarizing figures in sports culture, heavyweight champion Mike Tyson.
Created by Steven Rogers
Directed by Craig Gillespie
Production Designer: Elisa Sauvé
Role: Art Director [New York Unit]
Luckiest Girl Alive is a 2022 mystery thriller film directed by Mike Barker from a screenplay by Jessica Knoll, based on her 2015 novel of the same name. The film stars Mila Kunis, Finn Wittrock, Scoot McNairy, Chiara Aurelia, Justine Lupe, Thomas Barbusca, Jennifer Beals, and Connie Britton.
Production Designer: Jason Sherwood
Role: Art Director
Installed at Gold Coast studios for a single, live broadcast performance, the production design for Annie Live! was held by a curving, dimensional cyc, a forced-perspective elevated, curving train track, and a color-changing, multi-layered dimensional skyline of New York City. The additional scenery creating the orphanage, Hannigan’s office, Warbucks Mansion, and the streets of New York were wild elements, orchestrated by an army of stagehands rolling into and out of the space.
Directed by Lear Debessonet & Alex Rudzinski; Produced by Robert Greenblatt, Neil Meron, and Chloe Productions.
3C Studio Inc.
Role: Designer / Art Director
For his new show on Sirius XM, the environmental design nods to John Mayer’s recording studio. Adjustable wood slats, edge lighting, a custom studio desk, and rolling monitor baffle walls create a cozy environment for him to play music and host other talented musicians.
Production Designer Season 3: Samuel Froeschle
Production Designer Season 2: Ray Kluga
Production Designer Season 1: Dan Davis
Shot at SilverCup studios and on location in and around New York City, Emily served as Assistant Art Director for the pilot, Season 1 and Season 2, and as Art Director for Season 3 of Manifest.
Images shown here from Season 3.
Production Designer : Jason Ardizzone-West
Role: Assistant Art Director
Installed in the Marcy Avenue Armory in Brooklyn for a single, live broadcast performance, the Emmy award-winning production design for Jesus Christ Superstar Live was a collision between antiquity and modernity. Inspired by the Sistine Chapel, the massive scenic foam walls were carved and painted to resemble ancient fresco walls, held in place by contemporary scaffolding. An automated wall opened in the shape of a cross, flooded with back-lighting, to reinforce the epic crucifixion scene.
Directed by David Leveaux; Produced by Craig Zadan, Neil Meron, Marc Platt, Andrew Lloyd Webber, and Tim Rice.
Photo Credit: Jason Ardizzone-West
Jack Morton / PDG
Role: Art Director / Designer
This 10,000 square foot state-of-art facility was built on the ESPN campus in Bristol, Connecticut. The scenic design includes automated tracking LED panels, automated platforms, touchscreen technology, curved staircases with etched, edge-lit team logo panels and reclaimed wood. The 360-degree / multi-level design provides a dynamic canvas for the ESPN NFL broadcast.
Photo credit: Raeford Dwyer
Jack Morton / PDG
Role: Art Director
This 10,000 square foot state-of-art facility was built on the ESPN campus in Bristol, Connecticut. The Emmy-award winning scenic design includes automated tracking LED panels, automated platforms, a curved Nanolumens display in the main anchor desk and 114 monitors throughout the set. The 360-degree design provides ultimate flexibility for the 18-hour on-air day.
Photo Credit: Raeford Dwyer
Jack Morton / PDG
Role: Art Director
NBC Sports developed a campus in Stamford, Connecticut. Included in this campus are two large-scale studios updating the look of their sports network. Inspired by contemporary architecture in London, the color-changing light boxes stair stringers add to the depth of the space. A triangular projection screen and full-height video wall create the primary backdrops for the main anchor desk.
Photo credit: Raeford Dwyer
Jack Morton / PDG
Role: Art Director
The scenic design for NBC Deportes was implemented into a studio environment in Miami, Florida. The 360-degree design allows for maximum flexibility with a large main anchor desk centered in the space. Color-changing light boxes and large scale video displays enhance the visual intrigue.
Photo credit: NBC Deportes
Jack Morton / PDG
Role: Art Director
Host Rachel Nichols requested a contemporary space in which to host the daily NBA program on ESPN. Embracing its location in Los Angeles, the set provides sculptural nods to the sport. The main anchor table is comprised of rolled steel arches to mimic a basketball net.
Photo credit: ESPN
Jack Morton / PDG
Role: Art Director
The CBS Sports studio refresh took the bones of the previous set and updated with a full-height video wall, scenically painted brick and stone details, large-scale stadium graphics and an updated desk design with a curved video display. Wild touch screen monitors and tracking video displays mark the perimeter of the studio.
Photo credit: Raeford Dwyer
Emily Kollars
Role: Designer
This 1,100 square foot studio is a part of the ESPN campus in Bristol, Connecticut. The scenic design for ESPN FC includes tracking video, a full-height video display, grayscale graphics and independently controllable LED lights.
Photo Credit: Michael P. Hill
http://www.newscaststudio.com/2018/03/07/espn-studio-d/
Jack Morton / PDG
Role: Art Director
Integrated into Bloomberg's European headquarters, this state-of-art design includes automated tracking LED panels, a curved LED display in the main anchor desk, angled glass with a front-lit grayscale graphic applied and color-changing light boxes. The 360-degree design nestled into the open office plan provides ultimate flexibility for the 8-hour on-air day.
Photo Credit: Nigel Young, Foster + Partners
Jack Morton / PDG
Role: Art Director
The Style and Boutique scenic design for QVC brought a new level of sophistication to their broadcast. Inspired by loft studio spaces in New York, the QVC set was surrounded by daytime and nighttime cityscape graphics. Scenically painted brick and trim add to the depth and detail of the space.
Photo Credit: Raeford Dwyer
